It offers warmth and even a slightly edgy distortion when driven hard. Like the original, the CLA-2A offers a very transparent compression curve (around 3:1), as well as a slow attack time (around 10ms). Of course today, in the digital world, any harmonic distortion is a coveted character flaw, and is far more conspicuous than it once was. This emulation offers all the same controls as the original, along with the Waves analog control options.Īt the time of its introduction, this compressor was well-loved for its very transparent operation, with relatively little harmonic distortion. The CLA-2A, modelled after a famous tube opto-compressor. First introduced in the early 60s, this compressor uses an opto cell as a peak detector and features a unique 2-stage release characteristic. This is a model of perhaps the most ubiquitous tube opto-compressor in the engineering world. The CLA-76 “Blackie,” modelled after a later version (revision D-LN) of a solid-state FET based compressor from the 1970’s The CLA-76 “Bluey,” modelled after the silver-face blue-stripe revision B version of a famous solid-state FET based compressor from the 1960’s. The CLA-3A, modelled after a well-known solid-state opto-compressor Waves CLA Classic Compressors Bundle includes Waves CLA Compressors bundle is considered a true classic by audio engineers the world over. This collection of four compressors is modelled on Chris's four personal favourite machines. Chris Lord-Alge is a legendary producer whose extensive career has seen him work alongside artists including U2, James Brown, Grandmaster Flash and Green day. The CLA-2A offers 2 main controls for compression, as well as additional controls for fine-tuning.Waves CLA Classic Compressors is the result of partnership working between Waves and Chris Lord-Alge. If it was modelled properly then the attack/release and the ratio are dependent on the source signal but generally the original Teletronix was a 10ms attack time, a 4:1 ratio and the release was around 60ms on quick signals with a further hold from 1s - 15s depending on the signal. Using the Compress/Limiter toggle, select Compressor (approximately 3:1 ratio) or Limiter (approximately 100:1 ratio). Use the Peak Reduction control to set the amount of compression desired. Waves CLA-2A Compressor / Limiter Plug-in (Serial Download) Computer Music 10 off Virtual Instruments & Plugins - Use code VIP10 Inta-Audio is the UKs. It worked using a luminescent panel as an input and photocells 'seeing' and adapting the compression ration and release, if the photo cell sees light it continues to work. You control it by using the input gain and peak together. Gain would make the panel inside brighter optically and then you adjust the peak to control the amount of compression (how much of the light the photo cell responds to). It leaves transients alone and averages out the signal over time. Great for bass, guitars, keys, and vocals (in conjunction with another compressor like an 1176 if you need to deal with a vocalist's transients). The Universal Audio Teletronix LA-2A Tube-Amplified T4 Classic Compressor/Limiter features a unique tube-driven electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion. Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the originals smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. I use this style of compressor as a leveller. Each unit is point-to-point hand-wired and built.Lag free. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. I used a hardware one constantly in 1990's when I was a studio recording engineer.
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